17 December 2024
17 December 2024
On November 14th 2024, we held a Masterclass hosted by Rachel Dickinson.
With over 35 years’ work in the arts and education sectors, Rachel is an experienced teacher, facilitator, researcher, producer and critical friend. She has also worked as a primary school teacher and as a freelance researcher, consultant and programme facilitator for a wealth of cultural organisations.
The Masterclass consisted of a panel discussion with speakers who have taken part in three different creative projects in schools:
The online session gave us a chance to reflect on:
Making space
Our panellists discussed how creative activities in schools often comes down to time and space, both physical and mental. Rachel Dickenson asked: “How can it be sustainable - both individual or whole school change of culture?” Suggestions from our speakers included using creativity as a hook and thinking about making daily lessons creative, with teacher Theo pointing out they “can be multi-sensory, giving children agency, experimentation, making it relevant to things children are interested in so there is opportunity for possibility thinking. Not ditching the knowledge”. Emily Williams highlighted how The Creative Habits of Mind are a useful framework for thinking about what skills pupils are developing, and that it can turn something open into something tangible.
The importance of relationships
We also discussed the importance of relationships. Sheryl Malcom explained that for her, a benefit of an artistic practitioner going into a school is teachers having the luxury to be an observer in their classroom and see their pupils without being the lead energy in the room. “We could collaborate (artist and teacher) and have fun in planning following a lesson, creating a bespoke culture of what they needed in that space.” Relationships might start as artist as mentor, and they might shift to coach or collaborator - this makes a creative intervention more sustainable as practice can change forever for the teacher. Melanie Anouf suggested that trust was vital in the relationship between artist and teacher working in classrooms over time. Humour is important – as not everything will always work.
Culture shifts
It was clear that a culture shift can be hugely important when sparking joy in schools with creativity. Jordana Goldbourn discussed how creativity is a skill we develop that we have to practise (just like basketball) and a creative classroom takes time and care to manage. As there isn’t rigid outcomes in creativity, that is often the clash with the current curriculum. Our panellists reflected on how although teachers can make change by getting SLT onboard, it is important we empower them as individuals: they can build up their own personal toolkit and small wins can all build up to a culture shift rather than it coming from the top down. Ross Hunter (A New Direction), shared that teachers running their own interventions in schools during the Primary Arts Leadership programme made use of their own resources, utilising models such as Knoster model for complex change.
Host Rachel Dickinson (teacher, facilitator, researcher, producer and critical friend):
Emily Williams (Barbican):
Sheryl Malcolm (Young Vic’s INNOVATE Project)
Theo Creber (Teacher and participant on A New Direction’s Primary Arts Cultural Leadership Programme):
Jordana Golbourn (Young Vic’s INNOVATE Project)
Download the Planning Checklist
We encourage you to reflect on: